Danilo Silveira — Art Director

Danilo Silveira is an Art Director based in Canada, featured in the Art of Styleframe library of motion design and visual design talent. This profile aggregates selected works documented in the gallery alongside attribution links back to the artist's own portfolio for verified context.

Across 12 catalogued projects, Danilo's range covers AVON, AXE, Boticario, Chilli Beans and more, with every entry pointing to the artist's original source rather than a rehosted copy. The set runs through Sky Sports, ESPN CFP 2025, Deserve Cards - Motion Language, FADE, among others, and every thumbnail sends you to the artist's site, not a reposted file.

Full reels, case studies, and contact details live at instagram.com, behance.net; this page works as an editorial index pointing toward those primary sources. Keeping coverage of designers like Danilo tied to Canada rather than a generic style taxonomy is a bias toward the particular this publication has tried to hold onto through every redesign.

Danilo Silveira is an Art Director based in Canada, featured in the Art of Styleframe library. The selections below link to the artist's own portfolio for verified work history and credits.

Two chapters, two continents

The selections lower down this page come from the Brazilian half of the career: Avon, Axe, Boticario, Motorola, Google Waze, Netflix's 3%, and a run of agency and broadcast credits where the roles cycle through art director, design lead and motion designer, sometimes all three on the same job.

His maintained portfolio now runs from Toronto, where his Behance profile lists him as a designer and art director. He signs the studio work HAW, which is also the handle on the Instagram account this profile has always linked to. The gallery above pulls from that current portfolio.

Sport, finance, and the personal shelf

Two commercial entries lead. Sky Sports and the ESPN College Football Playoff 2025 package are both broadcast sport, which is the toughest kind of identity work to get right because the graphics have to hold up under live pressure. Deserve Cards sits in a different register entirely, filed as a motion language rather than a campaign, which is the deliverable a fintech brand asks for when it wants a whole system rather than a single film.

Everything else is self-directed, and there's a lot of it. Decay, Fade, Revelation, Built on Sand, Koi Pond, Weird Gallery and the Beatrice Society artwork are personal pieces, plus HAW - Visual Exploration, which is the studio's own identity study. Tribute: Your Name is exactly what the title suggests.

Does a portfolio this weighted toward personal work say something? Probably that the client jobs pay for the experiments, and the experiments are where the look gets developed before anyone commissions it.