Eduardo Guisandes — Art Director

Featured work Apple

Eduardo Guisandes is an Emmy Award-winning creative director and title designer in Los Angeles, with main-title and broadcast work for Showtime, Riot Games, Netflix, and Marvel.

The work gathered here runs to 12 documented pieces, pulled from a wider portfolio that takes in knightfall, Damnation, FoxSports NBA, The Arrangement, each one linking back to Eduardo's own site for full credits. Look for Apple, Showtime | The Good Lord Bird, Audible | Words & Music, Audible | Words & Music II, among others in the gallery; we link out to the maker's own upload instead of copying the frames here.

The deeper archive sits at eduardoguisandes.com, instagram.com; what we maintain is a pointer to it, not a copy of it. Grouping Eduardo by United States and by actual projects, not by buzzword, is the editorial habit this site has kept since the original gallery.

Eduardo Guisandes is an Emmy Award-winning creative director and designer based in Los Angeles, currently at We Are Royale, with earlier stints at State Design, King and Country, and around two years at Apple. He won the 2021 Primetime Emmy for Outstanding Main Title Design for Showtime's The Good Lord Bird, and his shelf also holds a Grand Clio and multiple Promax BDA awards. That is title design at the very top of the discipline.

His client range is broad and demanding: Riot Games agent and map reveals for Valorant and esports promos for League of Legends, plus Netflix, Showtime, Blizzard, Marvel Studios, and a long list of broadcast networks. The style leans on mixed media, collage, and cel work, high-energy and character-driven, the sort of motion that treats a title sequence as a short film rather than a logo animation.

We feature Guisandes because his main titles are a benchmark for what the format can be. Study how he builds tone through texture and experimental workflows instead of polish alone, then notice how disciplined the underlying structure stays. His portfolio at eduardoguisandes.com collects the award-winning titles and broadcast work, and it is essential viewing for anyone serious about main-title design as a craft.