United States

Adam Swaab — Animator

Featured work Non Commercial Work

Adam Swaab is an Animator based in United States, featured in the Art of Styleframe library of motion design and visual design talent. This profile aggregates selected works documented in the gallery alongside attribution links back to the artist's own portfolio for verified context.

The selections collected here span 11 documented works drawn from a broader portfolio that covers Qatar Foundation -QFB, IN : PROGRESS, Wolf & Crow, TRON - LEGACY, with each piece linked back to Adam's own site for full credits and unedited context. Titles in the gallery below include Non Commercial Work, Celeste, RDIO, Spyder - DNA, and additional pieces, each opening on the original artist source rather than rehosted media to preserve creative ownership. Full reels, case studies, and contact details live at adamswaab.com; the Art of Styleframe page acts as an editorial index pointing readers toward those primary sources rather than mirroring them. Coverage of designers like Adam from United States keeps the gallery anchored to specific scenes rather than reduced to a generic taxonomy of styles, and that bias toward the particular is part of what the publication has tried to keep intact through every redesign.

Adam Swaab is an Animator based in United States, featured in the Art of Styleframe library. The selections below link to the artist's own portfolio for verified work history and credits.

Portfolio highlights

Qatar Foundation -QFB - These are stills from a commercial I directed, promoting the Qatar Foundation and their sponsorship of the FCB football team. Two initial pitch frames (included here) were shown to the client to get t
IN : PROGRESS - © Adam Swaab
Wolf & Crow - This piece was designed and animated entirely in Houdini. Using visualization data from fluid simulations, I created a dark, moody piece that speaks in a language all its own.
TRON - LEGACY - I was part of Digital Domain's motion graphics team on Tron Legacy, led by Gmunk and Jake Sargeant. I designed and animated Quorra's DNA graphic, as well as the holodisc identity projections. I also h
SPYDER - The aim of this piece is to present he inside of a body, using the vocabulary of the Spyder brand and their motorcycle parts. This piece was designed in production(!), as we only had about 3 weeks to
RADIO-MELT - I directed and produced all the VFX for this short commercial for RDIO. The pith for this we extremely fun. We were told to come up with songs that inspired a mood in us and create a piece around that
QATAR FOUNDATION - FCB - These are stills from a commercial I directed, promoting the Qatar Foundation and their sponsorship of the FCB football team. Two initial pitch frames (included here) were shown to the client to get t
ORA - These frames are part of my collaboration with Gmunk on the Ora project. I designed the Ora portal, with Gmunk providing creative direction and compositing the final elements together.
NIKE-VAPOR - These are still from a commercial for Nike that I directed. Metallic geometric shapes, reminiscent of the Nike Vapor shoes, burst from the ground, helping the athlete maintain stability and improve sp
NIKE-GBS - These are some frames from a corporate video for Nike, presenting their Global Brand Summit. The grid of triangles was a key component of their visual language for the event.
DMG - I was invited to pitch on a film logo branding animation for DMG Entertainment. They wanted something that played up the gold color of their logo. My concept was a golden star dust that begins to flow