Heidi Berg — Art Director

Heidi Berg is an Art Director based in United States, featured in the Art of Styleframe library of motion design and visual design talent. This profile aggregates selected works documented in the gallery alongside attribution links back to the artist's own portfolio for verified context.

Heidi's portfolio spans Adidas Basketball Harden Vol.1, CHASE Hay, Empire V Film, Highlander Film Pitch among other commissions; the 11 selections indexed here each carry attribution straight back to the studio that made them. Titles in the gallery below include RATCHED Title Sequence, Hollywood Season 1 / Main Title, THE POLITICIAN - Main Title Sequence, Semi Permanent 2019 Opening Titles, among others, each opening on the original artist source rather than rehosted media. For the complete picture, Heidi keeps work at heidiberg.net, instagram.com, behance.net, and we treat those as the canonical record rather than duplicating them here.

Documented collaborations run through studios such as We Are Royale, Logan, Mandoo Pictures / Treat, Elastic, credited from Heidi's own project notes. There's a reason we anchor Heidi to United States and to specific works instead of vague trend labels: the specifics are the part worth keeping.

Heidi Berg is an Art Director based in United States, featured in the Art of Styleframe library. The selections below link to the artist's own portfolio for verified work history and credits.

Who she is

Heidi Berg works in Los Angeles and lists herself as a director, designer, photographer and creative. Her own site, heidiberg.net, is split into three rooms: Direction, Creative Direction and Design, and Photography. That third room isn't decoration, and two photography sets sit right next to the title sequences on her Behance profile.

Portfolio highlights

Adidas Basketball Harden Vol.1 - Client: Adidas Studio:We Are Royale Role:Design
CHASE Hay - Client: Chase Director: Daniel Askill Production Company: Radical Media / Treat Role: Pitch Design & Art Direction
Empire V Film - Client: Logan Pictures Studio: Logan Role: Initial Design & Concept Art
Highlander Film Pitch - Client: Lionsgate Director: Daniel Askill Production Company: Askill Projects / Treat Role: Initial Concept art & Art Direction
Last Hijack Film Poster - Client: Submarine Studio: Logan Role: Design
Monkey Film Pitch - Produced By: Rob Feng Production Studio: Mandoo Pictures / Treat Role: Initial Art Direction & Concept Art
NIKE AJXX Reflection - Client: Nike Studio: We Are Royale Role:Design
Skyrim Elder Scrolls Trailer - Client: Bethesda Softworks Director: Alexei Tylevich Studio: Logan Role: Design
The Alienist Key Art - Client: TNT Studio: Elastic Role: Art Direction & Design
The Alienist Main Titles - Client: TNT Studio: Elastic Role: Art Direction & Design
The God Particle Film Pitch - Client: Bad Robot Director: Daniel Askill Production Company: Askill Projects / Treat Role: Initial Concept Art & Art Direction
The Legend of Cambria Film - Client: Cambria Director: Alexei Tylevich Studio: Logan Role:Initial Design & Concept Art
The Terror Main titles - Client: AMC Studio: Elastic Role: Design
When First We Were Gods Film Pitch - Client: Lionsgate Director: Daniel Askill Production Company: Askill Projects / Treat Role: Initial Concept Art & Art Direction

Inside the gallery

Main titles dominate. RATCHED, Hollywood Season 1, THE POLITICIAN, I Am The Night, The Alienist and The Terror are all opening sequences for television, and her Direction page adds Truth Be Told season two to that run. Six or seven title cards for prestige drama in a handful of years is a serious streak.

Two shows appear twice, in different forms. The Alienist has both a main title sequence and a key art set, and I Am The Night does exactly the same. Splitting those out matters, because key art and titles are separate disciplines that happen to share a mood board. Handling both on one show is rarer than it sounds.

Semi Permanent 2019 Opening Titles is the outlier, made for the design conference rather than a network. Casual Occult and Dust and Fervor are photography sets, published under the same profile as the broadcast work. The library entry above fills in the earlier commercial history, including Adidas and Nike design at We Are Royale and concept art at Logan for Skyrim and Empire V.

Where to see more

Her own site is at heidiberg.net, split into direction, commissioned work and photography. Individual project pages with stills and credits live on Behance, and finished films are on Vimeo.