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United States

Kaya Thomas — Art Director

Kaya Thomas is an Art Director based in United States, featured in the Art of Styleframe library of motion design and visual design talent. This profile aggregates selected works documented in the gallery alongside attribution links back to the artist's own portfolio for verified context.

Across 17 catalogued projects, Kaya's range covers Through The looking Glass, The Strain - KT, Genius, Dead pool 2 and more, with every entry pointing to the artist's original source rather than a rehosted copy. The set runs through Dune, Avatar, Dr. Strange 2, Secrets Of Dumbledore, among others, and every thumbnail sends you to the artist's site, not a reposted file.

Full reels, case studies, and contact details live at kayathomas.com; this page works as an editorial index pointing toward those primary sources. Keeping coverage of designers like Kaya tied to United States rather than a generic style taxonomy is a bias toward the particular this publication has tried to hold onto through every redesign.

Kaya Thomas describes herself on her own site as an art director and designer in Los Angeles, currently available for freelance work. Her portfolio runs to more than eighty project pages, and every gallery entry below links to one of them.

What she does

Her stated toolkit is digital illustration, Cinema 4D with Octane, X-Particles and Arnold, plus Photoshop, Illustrator and After Effects. The output splits roughly three ways: feature film work, television title and graphics work, and game interface design. That combination is rarer than it sounds, because film pitch art and shipped game interface art demand very different discipline.

The feature side carries the headline names. Dune, Avatar, Dr. Strange 2 and Secrets Of Dumbledore each have their own project page. Through The Looking Glass and Power Rangers sit further back in the timeline.

Television is where the portfolio gets dense. Succession, Watchmen, Lovecraft Country, Wheel Of Time, His Dark Materials, Carnival Row, The Strain and The Terror are all individually documented. Eight prestige series in one portfolio is a fair claim to being a specialist rather than a generalist.

Games make up the third cluster. Destiny 2, Marvel Snap and Clash Royale are the entries here, and they line up with the rest of her index, which also includes Battlefront 2, Dead Rising 3 and the Guardians of the Galaxy interface work.

Beyond the gallery, her site holds a long tail worth scrolling: Cloud Atlas, The Great Gatsby, Suicide Squad, The Avengers and its logo study, Avengers Age of Ultron, Transformers and the Transformers 4 interface, RoboCop and its interface design, Girl in the Spider's Web, Mulan 2020, Marvel's Jessica Jones, Blindspot, Y: The Last Man, Legendary, DC Universe, Dark Universe, plus commercial work for Microsoft HoloLens, Xbox Scarlett, Nike Zoom, Nationwide, Smirnoff and several iPhone launches.

This profile's known works list adds Genius, Deadpool 2, Green Lantern, IMAX, Preacher and Wonder Woman.

Portfolio highlights

  • Through The looking Glass
  • The Strain - KT
  • Genius
  • Dead pool 2
  • Destiny 2
  • GreenLantern -KT
  • IMAX
  • Power Rangers
  • Preacher-KT
  • Terror
  • WonderWoman

This profile is part of the Art of Styleframe (AOSF) library of motion and visual design talent.