Featured Designer

Kuba Bogaczynski — Designer

Kuba Bogaczynski is a Designer featured in the Art of Styleframe library of motion design and visual design talent. This profile aggregates selected works documented in the gallery alongside attribution links back to the artist's own portfolio for verified context.

The work gathered here runs to 12 documented pieces, pulled from a wider portfolio that takes in Epson Corporate, Cyberpunk Teaser, Away titles, IMAI, each one linking back to Kuba's own site for full credits. Look for The Witcher 2: Visual Data, Epson: Motion Design, Epson EcoTank: UI Design, Hunted: UI Design, among others in the gallery; we link out to the maker's own upload instead of copying the frames here.

The deeper archive sits at behance.net; what we maintain is a pointer to it, not a copy of it. Keeping Kuba's page tied to specific works rather than a generic style taxonomy is a bias toward the particular this publication has tried to hold onto.

Kuba Bogaczynski is a visual artist and designer working in interaction and motion, with a portfolio split between screen-graphics work for games and film and a run of self-directed experiments. He's featured in the Art of Styleframe library, and each entry below links to the project page he published himself.

What he does

His specialism is the fictional interface. Not the pretty kind that exists to fill a background plate, but the kind that has a logic you could almost operate. That's a narrow craft with a real skill floor: you have to invent a data model, then design a way to read it, then make the whole thing legible in a two-second cut.

Everything else in his portfolio grows out of that habit of turning invisible things into something you can look at. Signal, sound, weather, time.

Selected projects

The Witcher 2: Visual Data is the earliest anchor here and still one of the clearest examples of the approach, a game interface designed as an information system rather than decoration. Hunted: UI Design did the same job for a television series, building screens for a fake security firm as part of the show's promotional puzzle.

The Epson pair sits on the commercial side. Epson: Motion Design covers data visualisation and UI for the brand, and Epson EcoTank: UI Design narrows it to a single product. Music Selfie: Audio + Data Experiment is the pure research version, turning sound into an image.

Then the recent personal work, which reads very differently. UnderEarth Sci-Fi Horror, The Visit: Artificial Story, Domus Deum, Portals: Journey to Meditation, and Sands of Time all lean into atmosphere and narrative rather than interface logic. Human Fall Collection: 2XY3 and Pressure AKA The Hottest Day round out the set.

Worth opening one interface piece and one recent personal piece back to back. The gap between them says more about how a designer grows than any reel does.

Where to see more

Behance: behance.net/charakterny

Portfolio highlights

Epson Corporate Data visualisation and UI design for Epson.
Cyberpunk Teaser News TV screen designs for the Cyberpunk 2077 Teaser Trailer. In the process I explored various UX options of how the news services could evolve in the future.
Away titles This concept title is for a made up film called "A W A Y" about "A man who leaves Earth to start new life on a distant planet.
IMAI I was always intrigued how invisible elements like data or signal could be visually represented if ever tangible.
New Balance Football An experience showcasing New Balance's football boots. The result was modern and UI driven WebGL demonstration, gesture controlled and mobile friendly.
Hunted tests To develop interest in HUNTED, the upcoming TV series, we created a series of creepy psychological tests presented under the guise of a job application for Byzantium Security.
Epson Future Vision Retail Vision video for Epson Europe. I was responsible for creating all mobile products along with augmented reality interfaces and additional 2D graphics.
Lewis Gets Inked Design of multiple dashboards and interactive screens for high-tech Formula 1 team research facility in Epson's new video starring Lewis Hamilton.