My Tran — Designer, United States

My Tran is a Designer based in United States, featured in the Art of Styleframe library of motion design and visual design talent. This profile aggregates selected works documented in the gallery alongside attribution links back to the artist's own portfolio for verified context.

My's portfolio spans Barbarians Rising history, BNY Mellon, GShock Gsteel, HarmonKardon among other commissions; the 12 selections indexed here each carry attribution straight back to the studio that made them. Titles in the gallery below include Gillette Skin, Story of a Sphere, Gem Explorations, Freeform: Love in the Time of Corona, among others, each opening on the original artist source rather than rehosted media.

For the complete picture, My keeps work at behance.net, and we treat those as the canonical record rather than duplicating them here. There's a reason we anchor My to United States and to specific works instead of vague trend labels: the specifics are the part worth keeping.

My Tran is a Designer based in United States, featured in the Art of Styleframe library. The selections below link to the artist's own portfolio for verified work history and credits.

Who she is

My Tran publishes as My Tran Grenard on Behance, where she lists herself as a senior motion designer working in Los Angeles. Her documented history is heavy on pitch work, and that shows in the library entry below, which reads like a tour of the city's title houses: Imaginary Forces, Logan, Psyop, Gentleman Scholar, Territory Studio, Kill Two Birds and Ironclaw. Pitch design is a specific skill. You build a whole look in days, knowing most of it will never air.

Portfolio highlights

Barbarians Rising history - Pitch Designer, Territory studios
BNY Mellon - pitch designer, Gentleman Scholar
GShock Gsteel - R&D designer, Logan
HarmonKardon - pitch designer, Psyop
Intel CES - Pitch designer, Logan
Ironman 3 Title Pitch - Pitch designer, Imaginary Forces
Pacific Rim Credits - Pitch designer, Imaginary Forces
StrangerThings -MT - pitch designer, Imaginary Forces
The Last Ship - MT - pitch designer, Imaginary Forces
TNT Suspense Collection - pitch designer, Kill Two Birds
Xerox - Pitch and Production designer, Ironclaw

Inside the gallery

G-Shock G-Steel bridges the two halves of this profile. It's listed above as R&D design work at Logan, and it also has its own project page on her Behance. That overlap is the clearest confirmation that the library entry and the Behance feed belong to the same designer.

Brand and product work fills most of the rest. Gillette Skin, Oppo Reno, The Home Depot, Dish First Responders and a Sonos pitch cover consumer categories that rarely get talked about in motion design circles, and Freeform: Love in the Time of Corona is the one broadcast entry in the recent set.

The personal galleries are where the craft is easiest to read. Story of a Sphere, Gem Explorations and Shoe Explorations are look-development studies, and Sculpt Baby Yoda and Cowboy Beebop Fanart are exactly what they sound like. Fan art in a professional portfolio usually gets edited out. Leaving it in is a small, deliberate choice, and it tells you she treats sculpting and rendering practice as part of the job rather than something to hide.

Her earlier credits, listed above, include title sequence pitches for Pacific Rim, Stranger Things, The Last Ship and Iron Man 3 at Imaginary Forces.