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United States

Manija Emran — Graphic Designer

Manija Emran is a Graphic Designer based in Los Angeles, United States, featured in the Art of Styleframe library of motion design and visual design talent. This profile aggregates selected works documented in the gallery alongside attribution links back to the artist's own portfolio for verified context.

Across 12 catalogued projects, Manija's range covers FRANCA CHAOS & CREATION, HUNTSMAN, WE ARE THE GIANT, LAVA BEAR and more, with every entry pointing to the artist's original source rather than a rehosted copy. The set runs through The Huntsman: Title Sequence, Misconception, Americans Promo, Z for Zachariah: Title Sequence, among others, and every thumbnail sends you to the artist's site, not a reposted file.

Full reels, case studies, and contact details live at behance.net; this page works as an editorial index pointing toward those primary sources. Keeping coverage of designers like Manija tied to United States rather than a generic style taxonomy is a bias toward the particular this publication has tried to hold onto through every redesign.

Manija Emran is a graphic designer and typographer who has worked on title sequences, commercials and game graphics. Each entry in the gallery below links to the project as she published it on Behance, because her own domain currently serves an expired certificate.

What she does

Type first. Her work index is dominated by title sequences and film logos, the kind of job where a handful of letterforms have to carry the tone of an entire picture before a single scene plays. Alongside that sits award show design, promo work and commercial pieces.

The feature film titles are the core of it. Rango, Robin Hood, The Help, Bad Teacher and Fright Night all have their own project pages. Two entries cover the same picture from different angles: The Huntsman - Title Sequence and Snow White & The Huntsman Typography, which is a useful pairing because it separates the lettering from the finished sequence.

Manhunt and We Are The Giant are documentary titles. Lava Bear - Film Logo is a production company identity rather than a sequence, and film logos are their own discipline: no time, no context, one shot at recognition. Forever - Title Sequence covers the television side.

Award show work turns up twice with 83rd Oscars and Oscars 2014, plus MTV VMA 2012 and NFL Honors. Nike Womens SS15 Tights Commercial is the outlier in the set, and the only straight commercial spot among the gallery entries.

Her wider portfolio, still visible on the same site, extends further: Karate Kid, Unknown, Netflix Hunger Games promo, NFL Coaches, Splinter Cell in-game graphics, the 2012 Billboard Music Awards design montage, Fatal Encounters promo, The Americans promo, Glade, Reebok Les Mills and a Z for Zachariah title sequence.

One caveat worth stating plainly: her site is served over plain HTTP, so the links above will load without encryption. The project pages themselves are intact and each one carries its own stills.

This profile's known works list also names Franca Chaos & Creation and Let It Fall, which aren't among the pages currently indexed on her work page.

Portfolio highlights

  • FRANCA CHAOS & CREATION
  • HUNTSMAN
  • WE ARE THE GIANT
  • LAVA BEAR
  • LET IT FALL
  • OSCARS
  • MANHUNT WIP
  • NIKE

Adjacent portfolios worth opening next: Mike Winkelmann.

This profile is part of the Art of Styleframe (AOSF) library of motion and visual design talent.