Featured Designer

Klopas Oey — Designer

Klopas Oey is a Designer featured in the Art of Styleframe library of motion design and visual design talent. This profile aggregates selected works documented in the gallery alongside attribution links back to the artist's own portfolio for verified context.

The work gathered here runs to 6 documented pieces, pulled from a wider portfolio that takes in ColaCoin, How oodles of Cup Noodles Took over the World, The Wolf of Wall Street, Visual Poem, each one linking back to Klopas's own site for full credits. Look for Skittles DOOH Advertising, How Oodles of Cup Noodles Took Over the World, The Sixth Extinction, There is no Truth. There is only Perception., among others in the gallery; we link out to the maker's own upload instead of copying the frames here.

The deeper archive sits at klopasoey.com, behance.net; what we maintain is a pointer to it, not a copy of it. Keeping Klopas's page tied to specific works rather than a generic style taxonomy is a bias toward the particular this publication has tried to hold onto.

Klopas Oey is a Designer, featured in the Art of Styleframe library. The selections below link to the artist's own portfolio for verified work history and credits.

Portfolio highlights

ColaCoin Concept and storyboard development for a fictitious advertisement that Coca-Cola is going to launch their own cryptocurrency - ColaCoin.
How oodles of Cup Noodles Took over the World A light-hearted animation about the history of Cup Noodles. Sole project designed and produced by Klopas Oey.
Concept and style frame design for the movie premiere of "The Wolf of Wall Street" on a television network. Designed by Klopas Oey
A visual poem based on the poem "I Met My Solitude" by Naomi Replansky. Designed and produced by Klopas Oey.

What he says he does

His own site puts it in six words: a motion designer and 3D artist. No studio name, no agency masthead, no roster of account managers. The portfolio is filed under a plain index and runs from advertising concepts through to explainer animation and pure look development.

Reading the current portfolio

Skittles DOOH Advertising is the commercial anchor of the current set. Digital out-of-home is a specific constraint set, all of it working against you: no audio, no dwell time, and screens in shapes nobody designs for. How Oodles of Cup Noodles Took Over the World carries over from the credit list above as a light-hearted history piece he designed and produced solo, which is a lot of shots for one person.

The Sixth Extinction and There is no Truth. There is only Perception. sit on the conceptual side. That second title is deliberately provocative, and the fact that a portfolio page is named after an argument rather than a client tells you what he wants the work read as.

Two entries are frankly technical. Study of Marvelous Designer Workflow documents cloth simulation process, and 3D Rendering is exactly what the label says. Publishing a workflow study is an unusual choice. Most designers hide the plumbing and show the finish, so putting the pipeline on the same shelf as the finished spots reads as a deliberate signal about how he works.