Yury Dovganyuk — Art Director

Yury Dovganyuk is an Art Director based in Russia, featured in the Art of Styleframe library of motion design and visual design talent. This profile aggregates selected works documented in the gallery alongside attribution links back to the artist's own portfolio for verified context.

The work gathered here runs to 12 documented pieces, pulled from a wider portfolio that takes in Astro, Broadcast, Clock, Cloth research, each one linking back to Yury's own site for full credits. Look for Aviation Pavillion, Broadcast Reel 2025, Kingdom Ai, Emirates Reel, among others in the gallery; we link out to the maker's own upload instead of copying the frames here.

The deeper archive sits at broadcast.moscow, behance.net; what we maintain is a pointer to it, not a copy of it. Grouping Yury by Russia and by actual projects, not by buzzword, is the editorial habit this site has kept since the original gallery.

Yury Dovganyuk is an art director working in broadcast design, and he also teaches it. He's featured in the Art of Styleframe library, and the entries below link to the project pages he published himself.

What he does

Broadcast identity is the whole job here: channel idents, news packages, programme openers, the graphic furniture that a network wears every single day. It's a craft with unusual constraints. The design has to be assembled by an in-house team under deadline, survive being cut into a thousand pieces, and still read as one voice at the end of the year.

Dovganyuk's frames lean on material and light rather than illustration. Glass, metal, cloth, and volumetric haze do most of the work, with type kept tight and hierarchical. There's a second thread running through the portfolio too, which is teaching: he runs broadcast design training in Moscow, and the reels double as course material.

Selected projects

The K24 pair is the clearest package study in the set. K24 Idents covers the channel-wide system and K24 Economic ID narrows it to a single strand, so you can see how one identity flexes for a specialist slot without breaking. Detective ID does the same thing for genre programming.

Central Television is the news-package entry, and it's where the type discipline shows most. Emirates Reel and NPCC represent the Gulf side of his client work, a market that has become a serious centre for broadcast design in the last decade.

Aviation Pavillion and TSS Engineerings sit closer to corporate and exhibition work, where the deliverable is an environment rather than an on-air package. VTB Mix and GAL round out the commercial set, and Kingdom Ai is the most recent experimental piece.

Broadcast Reel 2025 is the fastest way in. Start there, then open a single package to see how the pieces fit.