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Canada

Ryan Uhrich — Animator

Ryan Uhrich is an Animator based in Vancouver, Canada, featured in the Art of Styleframe library of motion design and visual design talent. This profile aggregates selected works documented in the gallery alongside attribution links back to the artist's own portfolio for verified context.

The work gathered here runs to 15 documented pieces, pulled from a wider portfolio that takes in Batman vs Superman, Star Trek Beyond, Fog Day, Math Worlds, each one linking back to Ryan's own site for full credits. Look for Marvel Studios: What If...?, Marvel Studios: Loki, Altered Carbon s1, Altered Carbon s2, among others in the gallery; we link out to the maker's own upload instead of copying the frames here.

The deeper archive sits at ryanuhrich.ca, instagram.com, twitter.com; what we maintain is a pointer to it, not a copy of it. Grouping Ryan by Canada and by actual projects, not by buzzword, is the editorial habit this site has kept since the original gallery.

Ryan Uhrich is an Animator based in Vancouver, Canada, featured in the Art of Styleframe library. The selections below link to the artist's own portfolio for verified work history and credits.

Screens inside screens

Uhrich's own site bills him as a motion designer and 3D artist, and splits into two halves that are worth reading separately. The first is screen graphics for film and television, the discipline usually shortened to FUI: the interfaces characters read, tap and panic at. His credits on this page name G Creative Productions as the client for Batman v Superman and for Altered Carbon, with the role given as FUI screen design, concepts and 3D visualizations.

Where does that skill travel? Star Trek Beyond, Enders Game, and two Marvel Studios series, Loki and What If...?. Both seasons of Altered Carbon are documented separately, which makes sense given how much of that show's world is built out of interface. Vizio Soundbar is the one straightforwardly commercial entry.

The personal half

The other half of the portfolio runs under the name amorphous, and it's where the work stops serving a plot. Entropy, Amorphous, Math Worlds, Macro Worlds, Forest Lasers, Dimensional Analogs and Fog Day are all self-directed. The titles alone sketch the territory: procedural systems, close-focus texture studies, and weather as a subject rather than a backdrop.

Plenty of FUI artists keep a personal practice going. Fewer give it equal billing in the site navigation, which tells you where the curiosity sits. The two halves clearly feed each other; the abstract render experiments are the same instincts applied without a shot list.

Portfolio highlights

  • Batman vs Superman - Batman V Superman Client: G Creative Productions · Role: FUI Screen Design / Concepts / 3D Visualizations · Other Credits: Gladys Tong / Paul Beaudry · ryanuhrich.ca/ · - Math Worlds - Personal Work · ryanuhrich.ca/ · - Personal Work-RU - Personal Work · ryanuhrich.ca/ · - Macro Worlds - Personal Work · ryanuhrich.ca/ · - Forest Lasers - Personal Work · ryanuhrich.ca/ · - Altered Carbon - Altered Carbon · Client: G Creative Productions · Role: FUI Screen Design / Concepts / 3D Visualizations · Other Credits: Gladys Tong / Paul Beaudry / Jamie McCallen · ryanuhrich.ca/

Where to see the work

Each tile above opens the matching case page on ryanuhrich.ca. The same projects appear on Behance, day-to-day frames go up on Instagram, and the film and television credits are listed on IMDb.

This profile is part of the Art of Styleframe (AOSF) library of motion and visual design talent.